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    <loc>https://www.christopherclarkjournalist.com/bio</loc>
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    <lastmod>2026-04-01</lastmod>
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      <image:title>FULL Bio - Christopher Clark</image:title>
      <image:caption>Journalist, Filmmaker and Author Hailing from a sleepy village in rural Devon, United Kingdom, I moved to Cape Town, South Africa in 2011 with a view to forging a career as a freelance journalist covering the African continent. I first established myself as a travel writer, roaming around southern Africa as well as Kenya and Tanzania, writing feature articles and guidebooks for the likes of CNN Travel, Fodor's Travel, Lonely Planet and Rough Guides. Since 2015, I've shifted my primary focus to reporting on power, inequality and social change, with a particular interest in long-form features. Recent topics have included an attempted murder at a prestigious British boarding school, extreme wildfires in the Mediterranean, the rise of a far-right French media empire, and the tainted legacy of oil exploration in northern Kenya. I've reported from 16 different African countries for outlets such as Al Jazeera, The Atlantic, Foreign Policy, The Guardian, Harper’s, NPR, Reuters, Vice, and The Washington Post. I have written, produced and co-directed two 25-minute documentaries for Al Jazeera’s ‘Witness’ series. My solo directorial debut, ‘The Race’, was released in early 2019 as part of a BBC Africa series on African masculinity. I’ve also made short films for Mongabay, TRAFFIC and the Global Initiative Against Transnational Organized Crime. My first book, Clare: The Killing of a Gentle Activist, a “compelling” and “deeply moving” work of narrative non-fiction, was published by Tafelberg in May 2022. Nowadays, I am based in the south of France. Since returning to Europe, I have written features for The Dial, Earth Island Journal, Financial Times Magazine, Hidden Compass, Monocle and Nieman Reports. I also do occasional work as a communications consultant for NGOs and UN agencies.</image:caption>
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    <lastmod>2026-04-01</lastmod>
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      <image:title>Home</image:title>
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      <image:title>Home - Nieman Reports, February 2026</image:title>
      <image:caption>France’s independent press fights back Alternative media startups see themselves as a bulwark against billionaires and the far right. Can they survive?</image:caption>
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      <image:title>Home - FT Magazine, August 2025</image:title>
      <image:caption>Back to Blundells: Inside the closed world of an English boarding school I hadn’t visited my old school for more than 20 years. Then I heard about the attack.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a9be283e2ccd15461ed4036/1734543484377-8O6NKALLHMEM3SDYG1HO/Screenshot%2B2024-12-18%2Bat%2B18.26.55.jpg</image:loc>
      <image:title>Home - Monocle, June 2024</image:title>
      <image:caption>Games Changer As Paris rushes to complete its transformation into an Olympic city, the mayor of the island at the heart of the Village is thinking ahead</image:caption>
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      <image:title>Home - The Atlantic, December 2020</image:title>
      <image:caption>Congo’s fishermen can’t catch a break The dwindling number of sharks in the country is threatening an entire micro-economy that relies on them.</image:caption>
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      <image:title>Home - Harper’s [Postcard], May 2019</image:title>
      <image:caption>The Wrong Side of History Left to the tender mercies of the state, a group of veterans and their families continue to reside in a shut-down town</image:caption>
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      <image:title>Home</image:title>
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      <image:title>Home</image:title>
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  <url>
    <loc>https://www.christopherclarkjournalist.com/writing</loc>
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    <priority>0.75</priority>
    <lastmod>2026-04-01</lastmod>
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      <image:title>Writing</image:title>
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      <image:title>Writing - FT MAGAZINE: RETURN TO PETERGATE HOUSE</image:title>
      <image:caption>FT MAGAZINE: RETURN TO PETERGATE HOUSE</image:caption>
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      <image:title>Writing - HARPER'S: THE WRONG SIDE OF HISTORY</image:title>
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      <image:title>Writing - HAKAI/THE ATLANTIC: THE SHARK FISHERMEN OF CONGO</image:title>
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      <image:title>Writing - THE DIAL: BAD NEWS</image:title>
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      <image:title>Writing - FOREIGN POLICY: SOUTH AFRICANS TAKE LAW INTO OWN HANDS</image:title>
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      <image:title>Writing - HIDDEN COMPASS: FRANCE'S FORGOTTEN PLACE OF MEMORY</image:title>
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      <image:title>Writing - GUERNICA: BALLOTS AND BLOODSHED</image:title>
      <image:caption>Ballots and Bloodshed</image:caption>
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      <image:title>Writing - THE DIAL: THE HUMAN ZOO</image:title>
      <image:caption>PHOTO: By Yves Forestier/Sygma via Getty Images</image:caption>
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      <image:title>Writing - NIEMAN REPORTS: FRANCE'S INDEPENDENT MEDIA FIGHTS BACK</image:title>
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      <image:title>Writing - EARTH ISLAND JOURNAL: AFTER THE FIRE</image:title>
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      <image:title>Writing - THE ATLANTIC: SOUTH AFRICA FACES AN APARTHEID LEGACY</image:title>
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      <image:title>Writing - THE GUARDIAN: 'THERE'S A LOT OF MONEY DOWN THERE'</image:title>
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      <image:title>Writing - MONOCLE: ON THE MOVE</image:title>
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      <image:title>Writing - MONGABAY: KENYA'S RENEWED OIL PUSH FACES TAINTED LEGACY</image:title>
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      <image:title>Writing - THE WASHINGTON POST: SOUTH AFRICA'S 'MORAL COMPROMISE'</image:title>
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      <image:title>Writing - MONOCLE: GAMES CHANGER</image:title>
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      <image:title>Writing - NPR: GAY, OUT AND ON THE AIRWAVES IN KINSHASA</image:title>
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      <image:title>Writing</image:title>
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    <lastmod>2018-03-13</lastmod>
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    <loc>https://www.christopherclarkjournalist.com/photography</loc>
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    <lastmod>2026-04-01</lastmod>
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      <image:title>Photo/Film</image:title>
      <image:caption>Mwimba Texas, a celebrated Congolese wrestler, in Kinshasa, DRC</image:caption>
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      <image:title>Photo/Film</image:title>
      <image:caption>Lubabalo Gibson, a young Xhosa jockey, on South Africa’s Wild Coast</image:caption>
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      <image:title>Photo/Film</image:title>
      <image:caption>Two women fishing at dawn on the Lopori River in Equateur Province, DRC</image:caption>
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      <image:title>Photo/Film</image:title>
      <image:caption>A bonobo wades through the water in Lola ya Bonobo sanctuary outside Kinshasa, DRC</image:caption>
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      <image:title>Photo/Film</image:title>
      <image:caption>The desert gradually reclaims the abandoned mining town of Kolmanskop, Namibia</image:caption>
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      <image:title>Photo/Film</image:title>
      <image:caption>Guy, a Congolese radio journalist, in the studio of Radio Mwana in Mbandaka, DRC</image:caption>
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      <image:caption>A Sardinian beach during the COVID-19 pandemic</image:caption>
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      <image:caption>Two refugee sapeurs, the Congolese equivalent of the dandy, walk through Woodstock, Cape Town, South Africa</image:caption>
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      <image:title>Photo/Film</image:title>
      <image:caption>Young jockeys cross the finish line in a traditional horse race in South Africa’s Transkei region</image:caption>
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      <image:title>Photo/Film</image:title>
      <image:caption>Francisca Arreola, a Garifuna woman, on the Caribbean coast of Honduras</image:caption>
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      <image:title>Photo/Film</image:title>
      <image:caption>A kingfisher takes flight in Pumba Game Reserve, Eastern Cape, South Africa</image:caption>
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      <image:title>Photo/Film</image:title>
      <image:caption>Jerome Bokele, pictured at his home in Mbandaka, is the first and only Batwa pygmy politician in Equateur Province, DRC</image:caption>
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      <image:title>Photo/Film</image:title>
      <image:caption>Vathiswa Nodlayiya, a performance artist, rehearses in a backyard in the township of Langa, Cape Town, South Africa</image:caption>
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      <image:caption>Daniel Pacheco, an evangelical pastor, preaches in San Pedro Sula, Honduras</image:caption>
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      <image:caption>Artisanal fishermen pull in a pirogue in Pointe-Noire, Republic of the Congo</image:caption>
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      <image:caption>EFF supporters at a pre-election rally in Soweto, Johannesburg</image:caption>
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      <image:caption>A cat in the hillside village of Labastide, France</image:caption>
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      <image:caption>Ernestine Simelane holds a picture of her daughter, Nokuthula, an anti-apartheid activist who disappeared in 1983</image:caption>
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      <image:caption>A moto taxi driver during the 2021 Ebola epidemic in N’zerekore, Guinea</image:caption>
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      <image:caption>Young boys fish on the Lopori River in the DRC</image:caption>
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      <image:caption>Josephine Kamara, a vaccinator during the 2021 Ebola epidemic in Guinea</image:caption>
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      <image:caption>Marius Djo, a WHO consultant, talking to a Guinean community about sexual abuse and exploitation</image:caption>
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  </url>
  <url>
    <loc>https://www.christopherclarkjournalist.com/book</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2026-03-31</lastmod>
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      <image:title>Book - Available online and in bookshops</image:title>
      <image:caption>In November 1993, political activist and development worker Clare Stewart’s body was found in a shallow ditch in rural KwaZulu-Natal, South Africa as the region sat on the brink of civil war. Amid the ensuing chaos and euphoria of the country’s ‘new dawn’, the details of Clare's killing would stay hidden beneath the surface. This gripping, moving account of Clare’s life and the mystery surrounding her death touches on the fragility of memory, family loss, apartheid’s evils, and the fault lines in South Africa’s democracy. “An engrossing and entirely unusual read… A text full of complexity and discovery, of investigative journalism, history and of Clark’s deep personal connection to a story and a place, South Africa, he has come to call home.” - Marianne Thamm, Daily Maverick. “Beautifully written…Clark’s struggle to refashion and repurpose fragments from history is thoroughly captivating and turns the book into a gripping page-turner.” - Rithuli Orleyn, Mail &amp; Guardian. “Extremely moving… A significant piece of writing.” - Mike Nicol, author of Payback. More details here: http://www.nb.co.za/en/view-book?id=9780624092803</image:caption>
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    <loc>https://www.christopherclarkjournalist.com/home-alt-bedford</loc>
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    <lastmod>2025-05-12</lastmod>
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